Archive for the ‘People’ Category

Down but not quite out

February 6, 2012

First of all, I should say, I’m a big fan of Nicholas Lezard. I consider his weekly column ‘Down and Out in London’, published in the hinterlands of the New Statesman, to be part of my weekly reward structure. The title of the column gives you the gist of the content, so I was a bit bemused to read recently about Marta, his cleaner. My point, in a recent letter to the magazine, was that only in London could a penniless book reviewer who lives in a hovel have a cleaner.

Well, this week he has responded to my concerns in some detail. Apparently Marta’s services (for which she is paid £12.50 per hour) come with the hovel. And in fact, as she only comes in to ‘do’ for a couple of hours a week, Mr L has had to encourage his feminist flatmate to take up some of the slack, an approach which seems to have proved to be entirely unsuccessful.

Bearing in mind my expertise I thought I might offer Mr L some advice: robots. Indeed for small fee (£12.50 per hour is a king’s ransom in Nottingham) I could even install a basic system, controlled via the Internet of Things (for more on this, see my forthcoming book, available from all good book shops).

Furthermore, in preparation for his life as a digeratus, he should perhaps consider reviewing Sherry Turkle’s latest book, Alone Together, in which the MIT professor outlines her thoughts on robotic technology and our relationship to it. As one of the book’s interviewees says: “Show me a person in my shoes who is looking for a robot, and I’ll show you someone who is looking for a person and can’t find one”.

While this might have a tinge of unrealistic expectation and an unwillingness to compromise, I think it’s much more helpful to think of it as pragmatism. And in my experience, it is always easier to get a robot to do the cleaning than a feminist.

iPoetry

December 16, 2011

From the blog that gave you the edible iPod and social computing for puddings, I now present… iPoetry. Following on from a mid-winter poetry reading by authors from Salt Publishing’s Modern Voices series earlier this week, I thought I’d round off the year with a poem by Manchester-based poet and fellow techie Adrian Slatcher, which he has kindly given me permission to reproduce. As you can see there is a strong hint of something Internet-related and it seems a fitting note on which to end the blogging year. This could be the unofficial anthem of the newly emerging Web Science agenda, which seeks to understand what we have created and where it is taking us, and of which I suspect we’ll be hearing a great deal in 2012.

A Colossal Machine

Rewinding our histories can’t play the tape,
For that requires a colossal machine,
That has long gone out of production,
Or has yet to be made. In part, it’s myth,
Yet we subscribe to it, our site feed
Syndicating the latest news, as if a thing
Can be dripfed to us through words.

The manual alone would be extensible,
Using a language shared by half the world’s tribes,
Competing to contribute to a shared goal.
The ultimate prize for the next life;
Our essence read, stored, accidentally erased,
Whilst the tests go on in private.
In my room I murmur a prayer.

Adrian has also done some interesting things with technology to link readings to user responses, but as this is only available on his iPhone I haven’t got a link to post. However, there is a video of Adrian reading Colossal at his website and if you are in the Manchester area today then he is appearing at the Whitworth Art Gallery this evening.

Wishing you all a Merry Christmas and a peaceful New Year.

Display technologies

June 17, 2011

Back in 2005 I wrote a fairly long report for JISC on the future of display technologies, covering the likes of 3-D TV and holographic imaging. Two of the peer reviewers, Mark Fihn and Wayne Cranton, were particularly helpful.

It appears they’ve not been idle in the intervening years as they’ve just announced the publication of a new book, the Handbook of Visual Display Technology. Weighing in at a mighty 2000 pages in two volumes this is not for the faint-hearted, but it looks like this book represents a substantial summary of this important area of electronics.

Richard Stallman in UK

February 18, 2011

He’s back. Richard Stallman, the digital rights pioneer will be presenting his own unique take on free and open source software at events during March in London, Cambridge, Brighton, Sheffield and Preston. If you’ve not come across his work with the Free Software Foundation have a look my report from his 2008 trip to Manchester. All in all a fascinating, and hugely entertaining, evening. Recommended.

Further details: http://www.fsf.org/events/rms-speeches.html

Ken Olsen

February 11, 2011

I have fond memories of the PDP11 minicomputer from my days as an undergraduate in the 1980s. So I was sad to hear about the death of Ken Olsen, the founder of Digital Equipment Corporation (DEC), the company that made the machine. In a society awash with iPads, smartphones and other miniature computing devices it is easy to forget the role that DEC’s minicomputers had in the history of the industry. They provided a bridge between the room-sized mainframes of the 1960s and the invention of the PC, and helped train a generation of undergraduates and researchers.

It was the PC that was DEC’s downfall and unfortunately Olsen is mostly remembered for his failure to spot the evolution of smaller computers beneath DEC’s feet. I however will remember Olsen with gratitude for the hours of pleasure in the computer room at Leeds University, learning to code in ‘C’, and occasionally being distracted by the flash of my mate Punkah’s orange cagoule as we sent each other messages on the computer’s rudimentary email system. Just because we could.

Bacon for lunch

November 9, 2009

Last week I interviewed Jono Bacon about his new O’Reilly book, The Art of Community. Jono is the open source community manager for Ubuntu, a popular version of GNU/Linux. As such he has a wealth of experience in setting up and running a virtual software development community. His key argument is that community is essential to the development and sustainability of open source software projects and to achieve that you need to foster a sense of belonging.  His book outlines the practical reality of going about doing that. You can read the interview on the OSSWatch website.

MyPud

October 14, 2009

It has been some time, so I thought I would restart proceedings for the autumn with a quick link to Cambridge computing lab pioneer Quentin Stafford-Fraser. Here truly is a man after my own heart as in between blogging about 3G femtocells and recursion he’s found time to consider the future of puddings.

He proffers the idea of a social networking site for recipes as a means to further their evolution, although I have to say it’s not the first time I’ve come across this idea. When I first started working at Intelligent Content one of the development projects that (fortunately) never came to fruition was of a similar ilk – although the concept of social networks didn’t exist then, of course. Quentin has form in this area – he was one of the instigators of the Trojan Room coffee pot affair.

Turing’s Last Syllogism

September 11, 2009

It is not often that computer scientists trouble the front pages, but today’s news of an apology by the PM for Alan Turing is long overdue. Much of what we take utterly for granted when sat in front of our PCs can be traced back to his work in the 1940s. The news prompted me to dust down my old copy of David Leavitt’s biography of Turing (“The Man Who Knew Too Much”). In one of his last letters to a friend he tells of his forthcoming prosecution for “sexual offences with a young man” and his disappointment following a lacklustre performance in a BBC radio broadcast. He concludes the letter with: “I’m rather afraid that the following syllogism may be used by some in the future:

Turing believes machines think
Turing lies with men
Therefore machines do not think.”

Googlegrams

June 1, 2009

Friday lunchtime I escaped the shackles of my desk for a rare, UK exhibition of the work of Catalonian artist Joan Fontcuberta at Nottingham’s Djanogly art gallery. According to the curator, Neil Walker, Fontcuberta’s work questions the nature of truth and, in particular, the reliability or otherwise of photographic documentary evidence. The artist’s previous works include a complete portfolio of faked photographs purporting to document a Soviet space mission that went badly wrong in which a cosmonaut was lost in space. However, that’s not the TechLunch link. What interested me was the current display: Googlegrams.

Googlegrams are large photographs (about a metre square) constructed from thousands of small photo ’tiles’ in the style of a mosaic. Each tile consists of a tiny image taken from the Web, sourced from Google’s image search engine. Fontcuberta takes an image from current affairs, for example there is one showing a number of drowned African refugees who have been washed up on a Spanish beach, and replicates it in Google-sourced tiles.

In order to make this work, Fontcuberta has doctored a piece of freeware software, used for what’s called photo mosaic-ing, which selects tiles that correspond to the colour and shading of the large image. The software works out that it needs, say, 80 tiles that overall correspond to a particular shade of light blue and when it finds a tile that fits its requirements it will fill in the image accordingly.

In order to source the tiles, the ‘artist’ has to type in search terms to query Google’s image search engine. In the case of the refugees, Fontcuberta typed in the names of the twenty-five richest men in the world. The images that Google throws up are used by the software to find the right colours and shades to use as tiles.

Walker argued that the artist is setting out to challenge the prevailing view that accurate information is available from the Web. Fontcuberta is sceptical of the idea of a universal, democratic source of truth, exemplified by the work of Wikipedia. The Googlegrams are metaphors for the inherent instability and transient nature of the information and truth on the Web.

The exhibition not only shows various examples of Googlegrams, but there’s also a live demonstration of the software that allows you to construct your own image. The gallery is also right next door to its own eatery – so a bit of tech and a spot of lunch – although I’d advise you to eat before one o’clock as the servery is pretty much stripped bare by then.

The exhibition runs until 14th June, but if you can’t get to Nottingham, the gallery has produced a YouTube video, including an interview with the artist.

Here comes the flood – the curator is as important as the creator

May 15, 2008

He once sang ‘Here comes the flood’ and he now seems to have taken the message to heart. Former Genesis front man Peter Gabriel is working on a project called The Filter which will help people navigate through the ever-expanding ocean of online information and digital assets.

In a world of a bewildering range of choice, Gabriel argues (in a Reuters video clip) that the curator is as important as the creator. What he seems to be arguing is that sharing our collections, playlists etc. of digital content can help us find new, interesting and relevant content.

The Filter tool joins a growing band of personalisation services that help people make sense of the huge choice of music, video, films and other media that is now available online thanks to the Long Tail. These services track your personal preferences, make sense of your online purchases and keep an eye on the stuff that you browse. In the case of the Filter, the ‘engine’ that drives it is a complex algorithm based on a branch of maths called Bayesian statistics. It works out patterns of interest and makes suggestions for related materials. The real power will come when these mathematical pattern profiles can be shared through social networking websites.

A public launch is promised next month, although I hear news that his server was stolen over the recent bank holiday.


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